Welcome to Hopscotch Translation

Rereading Klaus Merz’s Jakob schläft as Dreaming Jack

by John Taylor

Vincenz boldly transforms “sleeping” to “dreaming” in the title that he gives to his translation, which is conceived in several of its facets as a tour de force. His interpretation can seemingly be construed in two ways. On the one hand, the narrator is dreaming of Jack (and, in the process, remembering his own childhood in the early 1950s and 1960s, the period graphically evoked in the novella) and, on the other hand, it is also perhaps Jack who, although dead, is somehow dreaming… READ MORE


As Grand As They Come: Reading and Translating Almudena Grandes

by Helen Cunningham

Javier Cercas, himself a venerable author and one of the four writers (along with Grandes, Javier Marías, and Antonio Muñoz Molina) who are credited with “breaking the silence” after the Civil War and the ensuing Franco regime, said Grandes “made the Civil War past present” and called her “The Mirror of Spain.” So how is it that we in the US have hardly heard of an author so celebrated at home and abroad, and a veritable national treasure?… READ MORE


“We begin, necessarily, with the words”: Katherine M. Hedeen and Víctor Rodríguez Núñez on their co-translation of Rolando Kattan’s Bullet-Proof Vest

Katherine M. Hedeen and Víctor Rodríguez Núñez interviewed by Michelle Mirabella

In addition to bringing Honduran poetry to a wider audience, we have felt compelled to translate Bullet-Proof Vest because of Rolando’s Palestinian heritage. His work belongs to an under-studied tradition within Latin American poetry written by descendants of Arab immigrants, like Jorgenrique Adoum (Ecuador), Fayad Jamís (Cuba), and Raúl Gómez Jattin (Colombia), whom we have also translated ourselves or co-translated… READ MORE


Why I Am an Activist Translator

by Teresa Villa-Ignacio

Activist poetic translation, like activist poetry, activates our ability to know history through the unique embodied, enfleshed, sensual experience of a poem’s sonority, visuality, and the relationship between the two. This is why we hold poetry readings in solidarity with peoples living through conflict. It doesn’t “do anything” for them in an obvious sense, but it’s important for humanity that we absorb this historical knowledge as embodied experience… READ MORE



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